Juxtaposition of Micro-événements Sensibles

On Ranciere's View of Modern Fiction

Authors

  • Han Guan

DOI:

https://doi.org/10.6918/IJOSSER.202510_8(10).0026

Keywords:

Ranciere; aesthetic regime of art; modern fiction; micro equality.

Abstract

Ranciere believed that individual aesthetic perception and community governance followed the same organizational principle, from this he constructed an art criticism methodology, namely "regime of art". Literary works belonging to the aesthetic art system adopted the approach of "modern fiction", juxtaposing the impersonal "micro-événements sensibles". From the micro perspective, Ranciere believed that the objects presented in the works were no longer closed individuals, but the movement of emotional atoms, and those who engaged in reading behavior also became atomic beings, were equal to other emotional atoms and resonated with others. Therefore, literature reveals the emotional feature of real life and becomes a emotional community.

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References

[1] Jacques Rancière: The Flesh of Words, Translated by Zhu Kang, Zhu Yu, and Huang Ruijie, Xi’an: Northwest University Press, 2015: 219,221,220,19.

[2] Roland Barthes: Writing Degree Zero, Translated by Li Youzheng, Beijing:China Renmin University Press.2008: 48.

[3] Fredric Jameson: The Antinomies of Realism, Translated by Wang Fengzhen, Gao Haiqing, Wang Liya, Beijing:China Renmin University Press.2020,42.

[4] Jacques Ranciere, The lost thread: the democracy of modern fiction. Bloomsbury Publishing, 2016:22.

[5] Jacques Ranciere, The lost thread: the democracy of modern fiction. Bloomsbury Publishing, 2016: 23.

[6] Jacques Rancière: The Flesh of Words, Translated by Zhu Kang, Zhu Yu, and Huang Ruijie, Xi’an: Northwest University Press ,2015: 221.

[7] Jacques Rancière: The Flesh of Words, Translated by Zhu Kang, Zhu Yu, and Huang Ruijie, Xi’an: Northwest University Press ,2015: 220.

[8] Jacques Ranciere, The lost thread: the democracy of modern fiction. Bloomsbury Publishing, 2016:22.

[9] Jacques Rancière: The Flesh of Words, Translated by Zhu Kang, Zhu Yu, and Huang Ruijie, Xi’an:Northwest University Press ,2015: 19.

[10] Jacques Ranciere: Aisthesis: Scènes du régime esthétique de l'art, Translated by Zhao Zilong, Beijing: The Commercial Press.2020,87.

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Published

2025-10-10

Issue

Section

Articles

How to Cite

Guan, H. (2025). Juxtaposition of Micro-événements Sensibles: On Ranciere’s View of Modern Fiction. International Journal of Social Science and Education Research, 8(10), 190-194. https://doi.org/10.6918/IJOSSER.202510_8(10).0026