Underground Reading and Existentialism in the Swaying Seventies: An Analysis of the Narrative Prose Style of Bei Dao's Waves
DOI:
https://doi.org/10.6918/IJOSSER.202608_9(8).0012Keywords:
Abstract
In the 1970s, the private reading of so-called "Yellow Cover Books" and "Grey Cover Books" constructed a specific intellectual sphere. The internal circulation and reading of translated Western modernist works,particularly existentialist ones, were “swaying” in the face of enormous social pressure.This construction of a very harsh environment is echoed in Bei Dao’s novel Waves , whose main character similarly encounters physical sensations of thirst,heat and contraction generate its peculiar narrative prose style. In this paper we analyze the text taking into account both the historical situation and the author’s biography,integrating a consideration of its special literary and historic interest with diffe.
Downloads
References
[1] Cheng, G. W. (2011). Why study the fiction of the 1970s. Literary and Artistic Contention, (18), 92 99.
[2] Cheng, G. W. (2014). Research on fiction of the 1970s. China Social Sciences Press.
[3] Li, T. (2012). Preface to the revised edition of waves. Journal of Modern Chinese Studies, (4), 12 21+77.
[4] Bei, D., & Li, T. (Eds.). (2008). The seventies. Oxford University Press.
[5] Yang, J. (2013). Underground literature 1966 1976. CPC History Publishing House.
[6] Shen, Z. Y. (2007). Collective memory of the "grey cover books". In Grey cover books, yellow cover books. Huacheng Publishing House.
[7] Camus, A. (1989). The stranger (M. Ward, Trans.). Vintage. (Original work published 1942)
[8] Bei, D. (2019). Waves. Yilin Press.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 International Journal of Social Science and Education Research

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.




